“I know someone.”Ĭrystal: Katherine literally gchatted this to me this morning and I said “It’s too early for fanfiction” and she went “ayyyy lmao.” The bodyguards’ nickname for him is Hollywood. The Jedi War! I’ll wear prosthetics and everything!” “How bad do you wanna be in that?” Lance said, seriously. Man, I’d love to be in that!” JC said, just dreaming. “Aren’t they filming 3 at the same time?” Lance said. “Jada Pinkett’s gonna be bad in Matrix 2,” JC said.
This is a tangent, but the following is either a quote from the Rolling Stone article or a quote from fanfiction, and I am not going to tell you which: note: The only other non-scraped use I could find of the phrase “frackle-stutter” is an old Dallas Observer piece on… “Pop.” So either it predates the internet or BT literally just pulled this particular phrasing out of his ass.) Specifically, “Pop” was produced by BT, best known in the Katherine Canon(™) for his Tori Amos collab “ Blue Skies.” The track he was going for, apparently, was his own “ Hip Hop Phenomenon” and his signature “like, Max Headroom-style frackle-stutter edits,” audible in the song and visible in the video editing.
Katherine: When Celebrity was released, teenpop was massive and had massive amounts of backlash, so to promote the album ‘N Sync went hard on the “sudden artistic credibility” angle, as most boy bands eventually do if they live long enough: carefully placed magazine features, new, moderately more arty (though still commercial) producers. Except before those.Ĭrystal: I always feel as though I am behind my music writing peers to appreciate pop culture, but even as a kid with limited access to radio/music videos, I loved “Pop.” Even at some young age, I was already a huge dork who appreciated it when pop went self-aware. Katherine: “Pop” is a fun/frustrated/frickin’ ridiculous piece of heavy meta-pop imagine “Best Song Ever” filtered through any number of blogpoptimist sensations, yr Annies and such, that define pop as a genre and a fighting point. Katherine: It took us 14 entries, but we have finally arrived at that pop perennial: the boy band. There should be a mashup between this song and uptown funk From the comments section: bruno mars is trying to bring back this funky sound again but *nsync does it better.
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